The performances of Lawa (Rara) of 2026, the first institution of the ancestral world, Eternal Empire of AYITI and Ancestral Order of Jean Jacques Dessalines, and possibly the Order of peoples for the success of their bravery

 

The performances of Lawa (Rara) of 2026,

the first institution of the ancestral world, Eternal Empire of AYITI and Ancestral Order of Jean Jacques Dessalines, and possibly the Order of peoples for the success of their bravery

Share massively, first, and then communicate with them all in order to act quickly! Time is running out!

Décret 0000000 performances du Lawa (rara) 2026 pour l’avancement de la cause le lundi 01 juin 2026  

The Imperial Family and the City of Dessalines speak out 7 - 9 - a = © All rights reserved

q = an, u = ou =, w = r, r = ê, c = in, h = ch, e = é, ¼ = on, ñ

 

The original link if needed :

https://www.linkedin.com/pulse/les-performances-du-lawa-rara-de-2026-la-premi%25C3%25A8re-et-2anne

Visit the following sites:  

LinkedIn: HRH Prínce Tiécoura Jean Dessalines D'Orléans;

Blogger: Forum-Impératrice Claire Heureuse Dessalines, la Ville de Dessalines, capitale d’AYITI;

X: @ForumEmpereurje

For all works, consult the Akadémie X website:

https://www.akademiex.com/product-page/tome-6-l-administration-impériale-rétablie-au-pays-ancestral-ayiti

Administration impérial rétabli

Slavery is the crime against Busa, or against the Black man and woman, Earthling, Earthling.

AYIBOBO !

The performances of Lawa (Rara) of 2026

From the outset, you must master the vocabulary of the discipline. This is not without reason. The Lawa is a Festival of unparalleled importance because it highlights Life, the Eternity of Life, starting from Our God, Good God, be the Divinity in all its aspects which is the Total Sum. The group of people, People of Our God, Good God, who has under its responsibility the continued effectiveness of the celebration of the Feast of the Indestructibility of Life, finds itself, accidentally, at the Center of the Most Powerful and Intense Activity of The immediately after the Holistic Finality, from which, vigorously, it itself draws everything that it is. When we talk about it, we have the obligation to impeccably follow the line of its reality, that is to say what it refers to. This simply means being infallible.

The study begins with the word performance. By this term we mean what is in agreement with the thing, here the Lawa (rara), as it was produced, for example, the performance of the Bqn lawa (rara) X highly impressed me. This means that all the pieces of the Lawa (rara), as they were designed, are there, in the Bqn lawa (rara) X. The work is executed as it was designed. Therefore it is very efficient. The word performance refers to the parts separately, we see the Lawa (rara) in separate parts.

However, where a Bqn lawa (rara) is not fully efficient, it is in a certain state called skeletal. We can also say dismembered. By that we mean it's missing some parts and doesn't sound or look right. Attention ! Nothing is missing from the concept of Lawa (rara) itself. He is not impacted at all by skeletal or dismemberment, at best, dismemberment, and he never will be. In other words, the Lawa (rara) will always be as it is because it is, first of all, a speech, therefore made of words, and, then, it is true, in the sense that it is in line with Reality. An example, in this case, is the bamboo as its bass, representing the solidity and durability of the System of A and darkness. These references are true in their respective meanings. The Lawa (rara) has not lost, and does not lose, a single feather through dismemberment. He is and remains unshakeable. In this case, it is the Bqn lawa (rara) X that is missing feathers, in the sense of element(s). This is why we call on performance.

The Lawa (rara), we know, is an unattainable construction, it will always be what it is. This is not the case for Bqn Lawa (rara). It can be efficient or skeletal, or dismembered. What matters is the level of the Bqn lawa (rara) in relation to the Lawa (rara) itself. Why does this matter so much? We are to behave in line with who we are. What do we mean by that? We do not do everything that comes into our heads but what is appropriate, that is to say, conforms to ourselves. Life works with what is appropriate, not with anything. What-is-proper can be done or executed in several ways, this is called difference, but it can never be contradictory. Difference is opposed to contradiction, which must be avoided at all costs. Difference rhymes with variety but the essence, what we can also call the substance, is and remains the same. For example, a Bqn Lawa (rara) must dress during the last days but the clothing of one Band is not the same as that of another. There is a difference in clothing. Clothing is the substance. The b¼nqy is capable of imagining many creations, that is to say shapes. If ever the question “Why do we dress” is asked to you? The answer will be the same, one of the elements of Lawa (rara), but the way of dressing is not a standard.

Dismemberment is not recommended in Lawa (rara). What is a value in this one is the whole performance. To get there, you have to go through the limb, strengthening yourself more and more. We also use the word membration, the act of strengthening oneself, for example, the membration of such a bqn is slow, perhaps due to lack of financial means. The study that we are currently initiating has two main objectives, the first consists of bringing the people concerned to become truly aware of the lawa (rara) phenomenon through their behavior, the second aims to assist everyone in this glorious effort. The purpose of our work is the membration to fully achieve our goal.

We must integrate all that precedes as well as what follows for the whole performance, then we take advantage of the Great Divine Feast of the Earth, the One and Only, in our march towards Negro-divinity, that is to say Perfection, our immediate purpose.

Rhythm and bqn lawa (rara)

Let's start at the beginning! We said, in the text of the “Who am I Decree”, relating to Lawa (rara), that there are sounds, whose vocation is to keep us in permanent contact with a part of Reality. These sounds are a very powerful kind of eraser. Thanks to them, where we are strongly imbued with Lawa (rara), it is impossible for us to escape. These sounds, which signify our belonging to La, are symbolized by the rhythm, Tam-tam or drum, bamboo. There is a very rich diversity in the rhythm, from the most dull and powerful to the lightest. However, none replaces the other. Contrary to what one might think, this does not only apply to the bqn lawa (rara) with music. The bqn lawa (rara) on foot is governed by the same principle. However, the symbolism is disputed on this point. It must be emphasized that the bqn on foot is not another gang. It is a diminutive of the complete bqn, in other words, it is taken from it. As a result, it cannot be used as a measure, however beautiful it may be.

For performance we will use a sample of bqn. We choose three large regions without neglecting two or three cities. We will not say whether a particular group, among those we have chosen, performs at a particular level. It's up to you to do it. Put yourself to the test! Even if it's your favorite band, tell it like it is. You are checking, beyond your feelings, if the heritage of your Ancestors is and remains what it is. This concern is of Desalinian importance because there is a very great purpose in Lawa (rara). We are, until now even if it is just beginning to evolve thanks to our tenacity, our perseverance and our belief in our Ancestors, the only ones to carry this heavy task. Let's become aware of the meaning of Lawa (rara) and the elements that compose it! After that let's perform, or check carefully in the pure interest of Lawa (rara) the respect of the construction! Let us share the result not to lower the Bqn in dismemberment, because the Lawa (rara) is carried by the Unique Ancestral People of AYITI, the People of the Eternal Empire of AYITI, the People of Jean Jacques Dessalines, which makes the People, this People, the Great People of the earth, but encourage them to stay the course towards the Mission which is attached to the Lawa (rara), the Unique. The Lawa (rara) is part of what makes us the People we are. We all have an interest in ensuring that this Grand Work remains what it is, which does not mean that it can degenerate but quite simply that the natural enemy, as His Majesty Jean Jacques Dessalines says, can try, without success because we are and will always be there, to destroy it, by disfiguring it, thanks to its unhealthy intentions. Each year the performance of Lawa (rara) must be established to be able to monitor the progress of things.

You notice that I use the term Lawa instead of rara. There is a difference of one letter, the first, “R”. It is because in Dessalines, the first and only City that We, here Jean Jacques Dessalines, founded, the name of the Festival is Lawa. I witnessed, during my childhood, that people from our region who returned from Port-au-Prince, even students, especially students, no longer said “Lawa” but “rara”. They replaced the letter “L” with the letter “R”. Although young, I was not surprised. They felt comfortable even though there was already a toy with that name. It is a toy that some children received from their parents during the Christmas period. It was very attractive, it was turned by hand, by its sleeve, and it spouted multicolored fire. Maybe it still exists. As for Lawa, we removed the letter “L” and replaced it with “r”. We came up with a name for two unrelated objects. In my childhood mind, I quickly understood that it was a question of “enlightened”. I've never walked in that crap. I immediately associated it with distancing ourselves from what we are, which led me to cling even more to myself, namely Nègre and Dessalines, then an Invincible, a Forever Victor. I am of Life, Divinity, as Muc.

The drum (tamtam)

“The simple sound of the “drum” (tamtam) makes the Ayitian jump with contentment,” they say. A very logical explanation is given for this phenomenon: “A genetic heritage, therefore ancestral, and also the memory of Gelefwe, the land where we were born. The “drum” is associated with our Essence, which makes us Mun, one of the Things, Productions, of the La. What is interesting, the Mun and the material of the tamtam are of the first Order, that is to say Things. The drum object is then a Thing and a symbol, hence their unity. It is said “the sound of the drum”. It is the universal character which is highlighted here because the sound of the drum is multiple. It is not stretching the word to go further by saying that there is no festivity without the sounds of the drum but the one which is close to the Things, at best. latanier which is used to weave the chord of the tamtam, and which, by the same token, represents other Things in symbiosis and distant ones, hence the symbolism It is impossible to dissociate innateness, that is to say Ofowuity, and creation. It is because of this that the sound is linked to innateness. of the drum! The Lawa (rara) in itself is pure symbolism. All things considered, there is no Lawa (rara) without any drum, but one which is in unity with Ofowuity. What we must understand here, the tamtam which we call drum in our own language, Gelefwo-masuana, is in itself a meaning, which is specific to our way of being in the world that some people like to call culture. of what is done there is senseless. That is, To exist. Every drum is not a drum. He or she who thinks he or she can integrate any object from elsewhere is not an integrated being, therefore he or she is without grandeur. the Muc, Self-Affirmation. The other is that he or she doesn't have a culture and he or she doesn't know what it is either. For example, a flute from here is not the same as a flute from elsewhere. flute of each culture has its particularity of sound. It follows that the drum of the Lawa (rara) is no exception. The sound is lakay. We are inserted in a sense. The Lawa (rara) is not anything. It is not part of a holistic meaning. (rara), a substance, not a name. Anyone who thinks they can do it as they please is outside the lawa territory (rara). It is not a matter of will. In other words, it only depends on itself. We are there or not. AYITIEN, People of Dessalines. The drum hides the secret.

The performance of bqn lawa (rara)

Let us now enter into the performances of our bqn lawa (rara), our flagships, and even beyond the word, because of its weakness to perfectly account for the inestimable value of these enviable phenomena on which the Charm of Life on earth rests!

Lawa (rara), endless fun

We begin by affirming that Lawa (rara) represents, for all those who take part, an exceptional moment. They identify deeply with it and in return draw from it Self-Affirmation and the eua of being. We who look at him from afar, this is my case, he is also powerfully present in us but with great dissatisfaction, due to the fact, for one reason or another, of not being able to be with our legitimate brothers and sisters, fully savoring what is Us. We believe, without being mistaken, that there is more than what we see, where we are. We are talking, of course, about the intensity of pleasure through full participation. Those who do not see or hear anything are not on the list. Their attitude contradicts Ofowuity, which relates to Divinity, Our God, Good God, of course. When we admire the people happily enjoying themselves in the bqn, we say that this celebration could not be wrong. It’s definitely a party! The feelings of eua that it produces, in addition to their specificity, are necessary and essential to the fact of being. You have to be inside to realize it. My habit, although recent, is to start my day, whenever possible, with a lawa (rara) song. It’s a way of massaging the Life that I am. This point is a piece (an element) of the Lawa (rara); it is efficient for everyone. We do not trade Lawa (rara). My Lawa (rara)! My yunity! Everyone accomplishes this performance. You just have to look at the bqn to realize it. There are neither young nor old, everyone is carried away by the same momentum of eua. Everyone is smoking with satisfaction. Even those who walk quietly are at the highest point of the Great Festival. On this point the bqn lawa (rara), in 2026, continue to shine even in the corners where the natural enemy expresses itself loudly, very loudly. As an example:

 

fek Paret de Larak vendredi sen pati 2

Variété Chanel

https://youtu.be/4l2zRjo9YoE?si=ROrHDsPg9QcOlEQ4

Bann lajenès de dwen se nou li ye se pa yo ou pa wè sa ou mnm

Molière Damecois

https://youtu.be/ipDCMFlczkI?si=mPL-K1FEI2CiQBFs

WOUCH MANMAN BAND SAINT MARTHE DE DUVALON KRAZE BETON AN RARA 2026

NOUVELLE GENERATION DE DUVALON

https://youtu.be/T_AKRbtp74s?si=3Cno74qWSoQYlQw1

What a Pleasure in Duvalon! And if we go for a little trip to Bainet, the atmosphere comes from the musicians, the real musicians, and the people immersed in the sound of the instruments. It's as if everything was written in them:  

Rara BOULDEZÈ nan Bainet nan defile Kajèn 04 /04/2026. #viralvideyo#Orijinalvideyo#newsbòlakay#

NEWS BÒ LAKAY

https://youtu.be/rTN6Rx1v7p8?si=7_dfk-aPAwW8K2Mc

Without a shadow of a doubt, the fire is on fire, this year again! Let's go to Demontrèyl!

?? Men kòman Rara Kiyè Bwa t ap bay plezi nan Demontrèy

Douby Jean (OHM)

https://youtu.be/Ix5bJn-yOzs?si=kGjSMkqgT-d6JO9C

How is this going in Saint-Louis Du Nord? Let's find out!

RARA /WILNER NAN SAINT LOUIS DU NORD/GRANMOUN YOVE ANDJAB YÉ VANDREDI SEN TE KONSA

Ayiti San Fontyé

https://youtu.be/xh981NmFytw?si=EgNybbRcsYHZtUc8

Let us bring our baskets to collect pleasure always in Saint-Louis du Nord:

1er JOU RARA ZAKAPWÈL NoLimit YON LÒT bagay Béton Souke GADON MIrak

Bling TV News Live 

https://youtu.be/YEesGV7NNbE?si=_WfKbNKqAfR-6MwE

We are not absent, says: Pèfòmans Rara Kiyè Bwa nan Demontrèy !

Douby Jean (OHM)

https://youtu.be/ZbThGcGgqSE?si=gEsFr2mKgJhltPdO

This year once again the city of Gonaïves, Artibonite, is on fire:

Men Bann ki kraze Mapou chavalye Dimanch lan Gonaïves Haïti plezi beton 2026#abone#pataje#like#

Renand peyizan 

https://youtu.be/bDfm4MP5mq4?si=m6wUcRSyjXmu58mA

 Let's not leave without stopping by: 

Jazz peyi a Carimi kraze Corail Plat.

Doublée automatiquement

https://youtu.be/W5t-_MTsV2k?si=-38yYqDuYnxrutAr

That’s enough for the pleasures of 2026!

Back to the rhythm

Let’s move on to the rhythm of Lawa (rara)! When it comes to pleasure, equality prevails. All bqn are a source of pleasure. However, regarding the rhythm, it is not the same system. The thing is quite different and it does not date from today. This year again, nothing has changed. We are facing the same situation. BQNs who fulfill their function in this regard are and remain the same, except where it was a question of economics. Any modification at this level necessarily leads to an improvement. We do, even if it’s a little, what we would have liked to do. We inevitably see the result in terms of presentation.

Let's go! The drum partly occupies the base of the Lawa (rara). This is the case for all the BQNs in Artibonite, particularly those in the town of Dessalines. In this region it

can be no question of Lawa (rara) without the drum, with the exception of the bqn on foot. We talked about it above. The drum is so necessary and indispensable that the Lawa (rara) is more of a joyful dance than a song. Music occupies a greater place there, all because, first of all, of the drum, which is accompanied by the bamboo. Bamboo and drum are closely related to Lawa (rara). This is undoubtedly because of the sound, particularly the bass sound. They drive the cadence in perfect unity. The drum, because of its multiple uses, is less reminiscent of Lawa (rara), despite its basic character. While bamboo alone recalls lawa (rara) even if it is part of kudjay, another musical genre specific to us. This reminds me of this piece of music from Immortel Jazz des Jeunes, if I'm not mistaken, in which bamboo was introduced. At the moment when the bamboo instrument makes its entrance, we hear a boy's voice saying: “Me Lawa (rara)!”, which we did not mention for the drum. This is of great importance because it translates a thought, a belief, a cultural fact. But the placement of drum and bamboo is necessary and essential to Lawa (rara). Why, one might ask? The answer is simple, the Lawa (rara), which is the place of highlighting the Manifestation of the Presence of Our God, Good God, i.e. GwqmrtLa, Matmaangala, Nanabuluku, etc., through Production and Continuous Movement - what I call the Interdependence between Our God, Good God, and the Things (the Elements), of which we are part, and the Knot of Divinity and the The Unity of Things - directly impacts, through these elements, the Ofowuity, so-called natural, untransformed elements, for example, the tamtam tree (the drum) and the bamboo. There is direct contact, by means of sound, between Things, Tree, Bamboo and Us, then other Things. Let's avoid any snags, there's always time!

Let's listen to the following:

We will start with bamboo and its solid sound

Mw ta renmen konnen eske gen pou rara CARIMI nan zòn li an?Rara a gen moun el gen mizik.Mete kas.

Hirondelle Info

https://youtu.be/DtCHADJ-nRU?si=UOk7oX1ntupwyqxQ

The tree or wood and bamboo stand guard and highlight reality. The sound is strong, gwo-nrg. What the sound also sends as a message is that, here, we are not joking. Life is in motion and in the spotlight. The more powerful the sound, the more Life imposes itself as Chief of the place.

And the drum? Let's appreciate it!

ANVIWÈ 2026- ALE NAP ALE TET DLO

Kilti ak Sosyete

https://youtu.be/YzP06DpRfO0?si=zGyszoqDObdW6Cvf

RARA 2026 - TI YAYA KI TAP RALE ITALYEN ITALYEN BEL PLEZI NAN VIL DESALIN ??????

Kilti ak Sosyete

https://youtu.be/LWl23YeBxBI?si=E-6Dw2Yr7roILqe1

Here the music leads. We can clearly see that Production is speaking. The drum is present, it even manages to cover the bamboo, which is abnormal. It suggests a lack of coordination, which is false. The bamboo and the drum are well tuned. The problem lies in the unsuitability of the drum, this model of drum, in the context of Lawa (rara). It does not come from nature, which the Lawa (rara) highlights. What we have just said here is very important. We do not include just any instrument by its name or resemblance alone. This drum has no meaning, other than commercial. It is made in a cultural context devoid of existential meaning. It is artificial and empty. It cannot in any way adapt to the Production with a view to the Manifestation of Our God, Good God. Where is, through him, the tree that highlights the Life we ??celebrate? This is what is in the spotlight. As a result, the sound it gives off is foreign and, therefore, insignificant. It is not capable of dialogue with the environment despite external coordination. With a music group, like mini jazz, there would be no cacophony. You do not go into a musical instrument store to stock up on the bqn lawa (rara) as you do for a musical group and an orchestra unless it specializes in lawa (rara) instruments. The Lawa (rara) has its own purpose. We have no choice but to do it. There are people who make the lawa (rara) drum. The bran is not dry, like dry bread, it is gwo-nrg, robust and creamy, a good doucounou (dukunu). This makes me think of Aline Jean Baptiste and Madame Justin, whose maiden name is Estime. The sound, so soft and powerful, perfectly matches the sound of bamboo. This unity of sound introduces us straight into Life. How magnificent and delicious! It feels good to the ear.

The sounds of Lawa (rara)

Let's continue our hike in the world of invigorating sounds of Lawa (rara)! People are very receptive. Let’s admire them!

bann late rara 2024 lobey nan Jadeni   (Un p’tit retour en arrière pour en revenir ensuite)

Antèn zen nouvèl 

https://youtu.be/NzkQ13U82iw?si=PBnFknk7mMB23Sex

Plezi Nan Foul Konpa Bann Ponjou Nan Vil Desalin Latibonit Rara 2026

Vodou An Nou

https://youtu.be/17Zy08WjG5U?si=sgjD9yTtUe1rNjG8

Let’s go deeper into the sounds of Lawa (rara) to discover its power! It is an ocean of softness that makes its way through all areas of our body.

RARA 2026- ANVIWÈ KITAP SAKAJE 3ème SECTION DESALIN VIL????

Kilti ak Sosyete

https://youtu.be/NeBYXxZukxM?si=In6tFs6_4tv-EGwa

We haven't seen everything. We still have lots of things to discover. The locality of Niel, in Dessalines, wants to add its two cents:

RARA 2026 - TI YAYA KI TAP RALE ITALYEN ITALYEN BEL PLEZI NAN VIL DESALIN ??????

Kilti ak Sosyete

https://youtu.be/LWl23YeBxBI?si=nGazux4InpnbYJjL

Lots of good sound!

It is on this penetrating sound, which is neither a drum nor a bamboo but which is an invention, made of tin, if I am not mistaken and which hums like them, that we enter the universe of this third instrument, to which, without the bugle, belongs an instrumental power. In Artibonite, if this instrument is not there, the bqn lawa (rara) is seriously ill. He comes to seek us out to enter the depths of music. It extends far enough for this task. Let's listen to it rumble and let it penetrate us without limit!

fek Paret de Larak vendredi sen pati 2

Variété Chanel

https://youtu.be/4l2zRjo9YoE?si=EhLFOCI55JvBZFuX

Now, in person, let’s appreciate it!

Septen se non rara mamòlèt la ki tap preparel pou sezon paskal la.

Hirondelle Info

https://youtu.be/M8vimq33r9I?si=-RJXnClP6ceBfGnD

Men Sa Ki La Fleur De Rose Bann Coquieur Dimanche Ramo Rara 2026

Vodou An Nou

https://youtu.be/L2AIQ09reow?si=OCp3tOeyZIin8DF-

Ti Taya Bann Jenès La Rara Latibonit 2026

Vodou An Nou

https://youtu.be/jVdpAwQmsDo?si=o_CQj3y8MlPXosmz

Men Bon Konpa Satellite Bann 5 eme Seksyon Vil St Marc Vendredi Saint

Vodou An Nou

https://youtu.be/HRq_nzolJUw?si=ZSx1KG1YKMy6BWAz

The sound; the symbol, the type of whistle

All the respectable and respected instruments that we have seen so far are linked to Productions, Things which constitute Life. The sounds they emit are invented by our Ancestors in relation to their reality as Elements. Sounds are neither purely arbitrary nor the copy of Things, they are a composite of both. Where this is impossible, they make it a symbol, the reality of which, in many cases, is not very far away. The sound of the instrument is close to the sound that the Thing gives off, often in its relationship with other Things, for example, the wind through the branches. Capturing sound engages the part of their sensitivity concerned. It follows that a sound is extremely complex, which goes in the direction of Life. This is where the meaning of sound comes from, what specifies it and, consequently, serves as an obstacle to its integration into the system of a sound that comes from elsewhere. As for the composed sound, it is a sum of a diversity of expression of Things. We have the example of the bugle sound. It is the sound raised in relation to the basic sounds, not unrelated to real Things, and also the symbol of the distant, the Things which are not near Us. Lawa (rara) music does not bind us to what is in our immediate environment. It takes us far from here, the depth of La, to then bring us back. It’s a back and forth! This is what explains the bursts of contentment, the cries, the jumps, etc. The Things are legion. Their presence is what Life is, which is also our Life. We are all imbued with Life in Lawa (rara). The Lawa (rara) is a walk in the Great Whole. During our lawa (rara) hike, we come across an immensity of Elements. They all have their symbol. The thatha with the calabash represents Things in our immediate environment while the sound, when we tap the iron, takes us away from immediacy. This is also the case with this kind of whistle, which we hear from time to time in the bqn Carimi, Trensip, Djakut, septen, etc., this sound is necessarily sharp like the act of tapping iron to send us beyond the present, to take us away from the fact of here and now. All these are necessary and essential performances at Lawa (rara) to be able to be there fully and perform:

  

Septen se non rara mamòlèt la ki tap preparel pou sezon paskal la.

Hirondelle Info

https://youtu.be/M8vimq33r9I?si=O4X-Q9qk8Bu1BvgG

Mw ta renmen konnen eske gen pou rara CARIMI nan zòn li an?Rara a gen moun el gen mizik.Mete kas.

Hirondelle Info

https://youtu.be/DtCHADJ-nRU?si=smGfhStowCDY5uwD

Nou te fè yon kout pye kamanklè nan rara Prensip.Li dous tou wi mete(Kas)

Hirondelle Info

https://youtu.be/64e9eg0_ubs?si=W_bH4tY-LqSeGh5B

 Bamboo instruments, tamtam, flute...

Let's listen to a good sound, bamboo with its diverse sound, the drum or tomtom conforming to the meaning of Lawa (rara), the flute of ours, which comes directly from Things, the whistle integrated at the very beginning, like the shirt, the pants, the petticoat, etc.

Ou ka dous paw pa pase yon rara vodou. Mezanmi mete ?? poun tande yon mèvèy.

Hirondelle Info

https://youtu.be/_h37Lr93IHE?si=s8Xlv95zWMTBlGxJ

Samba

Samba, whether the extent of the bqn is exceptional, has an irrevocable place. He or she directs the choir. She or he may be relieved from time to time by an instrument. However, the role of samba is irreplaceable. Samba is the musical presence of that Thing in the Lawa (rara).

Djakout la tap depoze konpa nan koray tou wi. Medam yo byen danse.

Hirondelle Info

https://youtu.be/pxRdHLbaXWA?si=oq5RbPVEf310EKr9

Anmweyyyy lwa fè kenken nan rara Resistance Bosye.Se pa ti koze non ann gade mèvèy

Hirondelle Info

https://youtu.be/RDHrWxrLWzY?si=EgG62o7_z9Crpo-f

Mezanmi gade mèvèy nan yon rara mesye.Lwa tonbe tankou grenn lapli nan rara Rezistans yè anlè Bosye

Hirondelle Info

https://youtu.be/p2zgjD8yOSc?si=8ervgjf1VQI_yzXP

The children

It is obligatory to include children in the irreversible Lawa (rara) walk. Let’s take a good look at how the world works! The Movement! It is one of the necessary and indispensable Elements at the base of The, the Great Whole. Without Movement, Life stops from the moment it appears. Things last. How ? By the Movement. This one is continuous. Reproductions descend from Productions, which is first. The goal is to ensure the maintenance of what IS. Reproduction occurs through continuous movement. We call this, in the case of We, generations. The generation, thanks to the endless movement, has its indispensable place in the Lawa (rara). It is one of the Things in Life. This presence manifests itself through children. The best thing is to open the last days of Lawa (rara) with a day reserved for the presence of children. It is not obligatory that Children's Lawa (rara) Day be the same in all regions. However, there must be one. This day is the symbol of the Eternity of Life. The presence of children is required on all days of Lawa (rara), alongside adults. Children must learn to play Lawa (rara) instruments and practice their art with adults for interpenetration. We must teach them the meaning of the instruments.

February 22, 2026

Jandeni Lakay

https://youtu.be/cEFtreVkZYk?si=02-Qgkb9wc3Tl5qJ

Nou te fè yon kout pye kamanklè nan rara Prensip.Li dous tou wi mete(Kas)

Hirondelle Info

https://youtu.be/64e9eg0_ubs?si=zh4AY0AcNT6emiEC

Septen se non rara mamòlèt la ki tap preparel pou sezon paskal la.

Hirondelle Info

https://youtu.be/M8vimq33r9I?si=q6SEreZ2Jy1lazNe

The kettledrum

The timpani, like the trumpet and others, is a mess like no other. It does not refer to anything in the A. It is arbitrary and tends, due to lack of agreement, to draw symbolism downward. Let's look at this:

Plezi Nan Foul Konpa Bann Ponjou Nan Vil Desalin Latibonit Rara 2026

Vodou An Nou

https://youtu.be/17Zy08WjG5U?si=3p6SbvPQzlnV3DU1

Men Foul Konpa Ap Mete Plezi Rara Latibonit 2026

Vodou An Nou

https://youtu.be/CEJMZiZSy2M?si=Wr-vUx_tJ_vqoSu4

The thatha

The calabash thatha, a source of meanings, not only, by its nature as a Thing, symbolizes a host of other Things and also the munal creative capacity. On this level it means a part of Us.

We must avoid sounds that are not Lawa (rara) sounds because they do not connect to anything.

 Clothing and Lawa (rara)

We know, now for most of us, that Lawa (rara) is a Feast, not just any Feast, the Feast of Life, which leads us straight to Our God, Good God, be GwqmrtLa. There is more. Lawa (rara) is the One and Only Divine Festival on earth. It is the celebration of Life, which is God, Our God, Good God. We all know perfectly well that celebration rhymes with clothing. People who physically participate in the bqn lawa (rara) must be properly dressed and not haphazardly dressed. It is a Divine Feast. We need to find a suitable way. Let's not skimp on resources. As for the bqn itself, it’s something entirely different. She must be on her kato bizot¼n. If this is not the case, it is because it lacks the means. The Decree on how to immediately finance the Lawa (rara) aims to correct this situation. It is our responsibility. This is a serious matter. Where means are not a problem, clothing is obligatory and not just anyhow. Our Ancestors paved the way for us to follow. Lawa (rara) clothing is one of the most spectacular. You have to be very inventive, inventive, creations that will make you drool. We must appeal to all age categories. As for Male and Female, both genders must necessarily be there. The munal being that we are is yun, there is no difference between Male and Female. It is one and the same Thing. Maleness and Femaleness are included in the Divine Essence. The clothing of the bqn is mixed. There cannot be a Male without a Female or a Female without a Male. We invite you to observe the following bqn. You will judge the performance yourself. So let's enjoy!

5 AVRIL ZOREKEN 2026 PLEZI RARA, SIW RENMEN ZOREKEN PATAGE POU YON LOT FANATIC WÈL TOU

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YON SÈL HAÏTI

https://youtu.be/YJuJCnnczUw?si=USpnH4w7419ho4Jz

fek Paret de Larak vendredi sen pati 2

Variété Chanel

https://youtu.be/4l2zRjo9YoE?si=_n3eM4YFLooMOU6q

5 AVRIL NOLIMIT??ME SAK NAN ZORE A ZAKAPWÈL 2026

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YON SÈL HAÏTI

https://youtu.be/3tIawWeL0A4?si=kdfyHL9m-yVDwkbs

Anviwè kap fè koze nan lakou glasi

Kilti ak Sosyete

https://youtu.be/TIbnc6y-cmE?si=vuEYtTXkxPdAM9vN

5 AVRIL DEBOCHE 2026 ,GADE YON MIRAK KOTE MOUN TEYE??????

YON SÈL HAÏTI

https://youtu.be/EzKEXyPdZ4o?si=ZJZ5CKbzkzphQtao

The choreography

It's not just clothing, in other words, we don't dress for the sake of dressing. The Lawa (rara) is a show. We arrive with our hands full. We make people dance - dancing is not the correct term, if we remember it, use it - the dance is accompanied by fantastic performances. This is the choreography and this is the spectacle side of Lawa (rara). The Divine Feast is not a small celebration in the minds of our Ancestors. Lack of financial means often hinders this grandiose aspect. But it's not decreasing. Where possibilities flourish, great ideas emerge. The lawa (rara) show takes you to the farthest reaches of La. This requires a colossal investment in time and money. If this aspect is lacking, the show may not be fantastic. If this happens, we are responsible. It is up to us to support the bqn. We are the beneficiaries of this famous work that they do. Let's not do anything half-measured when the possibilities are there.

RARA 2026 - VENDREDI SAINT - BANN ANVIWÈ DEYÒ????

Kilti ak Sosyete

https://youtu.be/F7jGXQOQd6w?si=n2ll5YYxINq330bL

Rara cœur de lion de deboche gade yon mèvèy tout Moun sezi

SAN LIMIT SHOW

https://youtu.be/UvPFbMsUpbQ?si=qwxGRdXk2zAVq8Lc

ANVIWÈ NAN KAFOU TIBONN RARA 2026

Kilti ak Sosyete

https://youtu.be/q9rNNGGLsMo?si=JcV9GlRo149HMn8G

Defile Plezi LAKAY Lemitay , Rara Reziye Tenò , Dimanch 05 Avril 2026 . NEWSBÒLAKAY .

NEWS BÒ LAKAY

https://youtu.be/vjUiK3-ZgQc?si=8PGGbX4SBp3HVN2h

Septen se non rara mamòlèt la ki tap preparel pou sezon paskal la.

Hirondelle Info

https://youtu.be/M8vimq33r9I?si=OkjBjWg6BDx9s0o7

Djqkout la gen yon janl dous tou sa a se yon bagay grav.

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Hirondelle Info

https://youtu.be/2StygVNLlMc?si=4VjZQNoLmkdV2QF4

Deblayi santral Kap antre Degranj Dènye jou Sen an 2026 ak anpil plezi Prestasyon meda'm yo bèldevan

MOOD 509 PROMO

https://youtu.be/r6d8nqWyBsM?si=droi8_km-v4-kqfF

The song lawa (rara)

The lawa (rara) song is specific to Lawa (rara). It owes nothing to other cultures. The melody, the tone, the text, the length, the Gwqmuniality, all this places the Lawa (rara) in the milieu of its origins. This is why we cannot allow ourselves to do what we want there. You have to follow the meaning of the thing. Nothing should be subtracted from it just as nothing should be added to it. The thing is irreversibly what it is. There is no evolution or modernity in Lawa (rara). The Lawa (rara) is undoubtedly everything it should be. The Lawa (rara) symbolizes the Indestructibility of Life, as it is, in its Essence, Indestructible. What is sensational, the melody of lawa (rara) songs is part of ancestral musicality. It is imposed by the rhythm of it, which goes with the style of instruments that we use. It must be said because many believe that they can afford to bring any instrument into it. Our sound comes from this agreement. Even the voice that performs is the product of it. The voice rises and falls following a trajectory imposed on it. We don't choose to sound a certain way when we belong to a specific Ensemble. It shapes you as you see yourself. The song lawa (rara) sounds different. It follows the ancestral sound. What's interesting, you don't realize this particularity. We only have to compare a singer and a singer in an orchestra or musical group to realize their musicality. Yet they come from the ancestral world. However, they are influenced from elsewhere. In other words, they imitate what is done outside of Ancestrality. Despite this, they cannot keep up with their sound. They are blocked by the ancestral background. They cannot reach the same level, from a musical point of view, as the whiteist countries they imitate. There is no way for at least two reasons, the first they are not accepted by these countries, the second their musical foundation is an obstacle to them, in the sense that they cannot break the barrier imposed on them from the outside. What many people don't know is that lawa (rara) musicality is the basic sound. It is this sound that is used in Vudun ceremonies as well as all recreations of ancestral munalization, namely our mode of being on a global level. This, by its omnipotence, projects a blocking effect on the outside, which does everything to break it. The baka or mrt-minui, that is to say wanderers because they do not belong to any circle of development or own culture, can integrate any musical instrument because what they do is a maraça eating. They have no cultural guidelines to follow. While Lawa (rara), everything, is planned in advance. We don't invent it, we enter into it as best we can see ourselves inside. We don't have to give our opinion, there is no room for that. He is the product of a system, our system, Ancestrality. We are inside or we are outside. Any misstep, we're baka.

 

The music is one thing, the text is another. First of all, the text and the use of speech are not one. We can have a long speech, depending on the context, for example the story, as long as it is not during the day, insist the Ancestors. Some tales, where it is not a question of riddles, can be long, others short. However, the text of the song is short or relatively short. It all depends on the strength of the message we are aiming for. First of all you need to know that everything is the subject of a song. The variety in the song is the text and that of the text is the effect we want to achieve. The more powerful the message, the shorter the text. It grabs us by the throat and lifts us from the earth. We even choke. The whole body is, without a shadow of a doubt, under a powerful effect. When the text is relatively short or not long at all, the power of the desired effect crumbles as the message unfolds, even where it remains strong. Our Ancestors established it this way and the scientificity is beyond dispute. Let’s experience it!

ZAKAPWÈL RARA NOLIMIT MESAK PLEZI NAN PEYI DAYITI POU 2026 LA GAD PLEZI

kash news509

https://youtu.be/aO1vl9eqffk?si=O_AN2bMlmltNQxx5

The subject of the song lawa (rara)

We can sing many things in Lawa (rara). The Lawa (rara) is the place to let off steam, which is entirely correct. Let's take a quick look back : 

Bèl moun fèk ateri nan Anviwè dimanche pacques 9 avril 2023

Kilti ak Sosyete

https://youtu.be/XDOLtA0y71s?si=c0d20pPHKjJwgxZ1

Let's go back to 2026, our current year :

30 MARS ANBYANS ZAKAPWÈL RARA BANN NAN ZORE AYITI NO LIMIT MESAK PLEZI RARA

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kash news509

https://youtu.be/y7L3KqN3C3E?si=33DhbLDFS8YbAcRD

What could be more magnificent! Finally freed! We are master and mistress of our MUNAL Being. ENOUGH is ENOUGH! However our Being limits us. We cannot disapprove of what is private, personal. We have no access to privacy. All those who act by themselves and for themselves are accountable to no one. This is inviolable. He is a Mbwa of the Munal Being. It’s called Gwqmuniality! This barrier is unconditionally impassable.

No controversy

There are plenty of people who think, and they are convinced, that it is not possible to have several groups, of whatever nature, without controversy because they are necessarily adversaries. The word adversary implies rejection because it is a threat. We are here in the presence of whiteist ideology, which is the fruit of humanity, a bad conception of the being that we are, the result of a bad calculation. Through bad attendance, imposed, after the physical assassination of His Majesty the Eternal Emperor Jean Jacques Dessalines, by the whiteists themselves, people managed to integrate this filthy and toxic belief into themselves. We will never tire of ruminating on these words of His Majesty James I, the Great Scholar on the subject: All these things “tell us enough that they are not our brothers, that they will never become one and that, if they find an asylum among us, they will still be the masterminds of our troubles and our divisions”. This is what we are seeing now. They did not invent Lawa (rara) and Lawa (rara) highlights their falsehood of being. It is completely normal that they lead us into hatred, into confrontation to block any progress. They're trying to trap us in the lethal division. The Lawa (rara) is a Festival, the Festival of Life, which is God, Our God, Good-God, the One and Only Divine Festival on the planet. The Feast of Life, which is the Feast of Divinity, is also Our Feast. We are YUN in Divinity. We are Life then God. There is no division in UNITY. What nonsense would that be! We celebrate Life, Our Divinity, in a single burst! This is the law of the Eternal Empire of AYITI, Ancestral Empire, Toya-Dessalines Empire! The Lawa (rara) is the MANIFESTATION of this incomparable, insatiable, unspeakable Divine Gift that we are.

Let's look at the following : 

PLEZI RARA 2026 NAN DESALIN VIL -BANN ANVIWÈ TE KWAZE AK BANN BALE BÈL BAGAY NÈT ANPIL LANMOU ????????

Kilti ak Sosyete

https://youtu.be/78V-2zqchxA?si=Va_ATkzBPitKSD4-

The road and the Lawa (rara)

Given that, to mark their territory, the whiteists and bunda qmr banned almost all Imperial Territory from Lawa (rara). They lost the battle, we are here, at home. The Imperial People of AYITI are those who carry the Lawa (rara) in their bosom. The Lawa (rara) is at home here. He runs on all the streets and every corner of his Territory. This is an integral part of himself. One thing must be made clear. When a bqn lawa (rara) runs, instead of saying dance, a space, it is strictly forbidden to use this same place at the same time. The space is occupied by its owner. You have to take another route if you can't just wait until the places are accessible. The space is no longer public during this time. Under no circumstances should we upset people in their homes. Then the passage is closed to traffic.

To understand the question of sound in Lawa (rara)

First of all, let's listen to the following sound :

RARA LATIBONIT 2026- VIN ENJOY NOU AK SIZOKA (AKA ZAFÈM) WA GOU PAW ??????????????????

Kilti ak Sosyete

https://youtu.be/NZOQVRRjeII?si=AKvdjis7p3AsUdav

 So let’s get into the thinking! Whiteism understands nothing about Life because it sees everything in a fragmented and opposite way, in short, in kuku, without any connection with the others. This is what explains the verdict of Jean Jacques Dessalines mentioned above, the non-frequency of whiteists. There is an irreconcilable opposition between Life and whiteness. This is why he can speak of the death of God. Life and God, precisely, Our God, Good-God, are YUN and Eternal. We can turn Our God and

Life in every sense, they are and remain One and the Same Thing. It is the same with all Things and Life and Our God, GwqmrtLa. Thus Things are linked to Life and are Life, by their Unity, the form of which is Interdependence. This is a massive conception of Things, which constitute Reality.

The sound of Lawa (rara) is the continuation of the Collectivity of Things, therefore, Life, Our God, Good-God, Matmaangala. Lawa (rara), being the Celebration of Life, notably through sound, symbolically links each sound to a Thing. Hence the specificity of the sounds! We are here in the conceptuality of Lawa (rara). The sounds of Lawa (rara) are classified into three groups, hoarse and heavy sounds, medium sounds, high sounds. The first category of sounds symbolizes or represents everything below, of which, from our position, we know little or nothing; the second category symbolizes everything that is close but not always within reach; the third is acute, even very acute, whatever the distances. The sounds of Lawa (rara) thus cover everything.

Besides that there is the proximity of the sound and the instrument that carries it. We thus touch on symbolism. Sounds are invented by the experience of the Ancestors, which forever links the sounds to a specific time and which states their irrevocability and their immutability, then an eternal creation. Which comes first, the sound or the instrument to which it is forever linked? Hard to say. Can we conceptualize the instrument alone, without any necessary prerequisites? Here again it is not easy to say. One thing is certain, the two are indissolubly linked. There is more. When it comes to the tree and the idea of ??the drum (tamtam), it is not difficult to say which comes first. The tree and the drum are intimately linked. The drum is taken out of the shaft but designed by the b¼nqy. There is the Thing and the creation here. There is a unity between the two. Creation is the second form that we give to the first, that of the Thing. The objective of b¼nqy is the Celebration of the Thing by means of Life, Divinity. The Thing extends into creation. The same goes for the sound that results from it. It symbolizes all other Things whose relationship is immediate to the tree. Since Life is massive, it is impossible to count it. So the sound of the drum is immediately the sound of Life, Our God, Good God. Despite the symbolism, the sound of the drum, through the drum and the tree, is a direct expression of Life. It is by this irreversible trajectory. It is the same with the thatha, the flute, the bamboo, the whip-kah, the cut tree on which we tap with chopsticks, etc., they are directly linked to the Things of Life. That's not all. There are other elements which enter directly, without intermediary or decomposition, into the creation of instruments with a view to pure and symboliques. Let’s take the example of gold! We go looking for some and we find some. We're going to sell it. The buyer works it to produce a ring, earrings, pure gold. This worked gold, despite its second form, which is a creation, descends directly from the Gold Thing. Such is also the journey of this great instrument, necessary and indispensable, which seems to be made of tin! I don't know about the whistle. It seems that its production is also very close to the Thing, its raw material. The instruments of Lawa (rara) to be such must cover all Things, in one way or another, by direct path and symbolism, one or the other or both at the same time, where possible.

Pure sound! It is the sound of Lawa (rara) and it will always be like this:

Ou ka dous paw pa pase yon rara vodou.Mezanmi mete ?? poun tande yon mèvèy.

Hirondelle Info

https://youtu.be/_h37Lr93IHE?si=bbm6BNC3VOqSB_Cz

GADON GOUYAD MEDAM YO LAGE NAN BAND LATÈ PAGEN CHÒK RARA 2026

Vision 24 Nouvèl 

https://youtu.be/hv_ncuhDLCU?si=bOEQH7IK4GbNCorH

band latè pa gen chòk samedi 30 mars 2024 kap chofe lari a

Culture Pa Nou TV

https://youtu.be/FrdGDhFivX8?si=Qs3nBm-p0C0m21qw

,The Lawa (rara) protector of La

Because Lawa (rara) is the Festival of the Indestructibility of Life and the Celebration is carried out by the necessary highlighting of Things, that by which Life is constituted, it is undoubtedly the protector of planet earth. In terms of protecting things, we will give an example: the environment. During slavery on the Island of AYITI, the Blancismic custom was to throw themselves madly on the trees and everything they could amass to enrich themselves without worrying about the harmful consequences. These pedants who spoke of knowledge without understanding its meaning were unaware of the weight of Things in our presence on earth. In short, they destroyed the environment through their behavior. After their expulsion by the Affirmation of our Gwqmunity by means of our Gwqmuniality, those who carried within themselves, as their essence, this derailed animal, wanted to continue the disastrous practice of the whiteists. The Invincible General and Eternal Victor of whiteism Jean Jacques Dessalines intervened to prevent it. They did not want to bend to the Will of His Majesty. One day the Founder of the Eternal Empire of AYITI, Jean Jacques Dessalines came across an illegal pile of logwood, he set it on fire. Things are the Elements of Life. They must all be protected. There, in the case of the environment, where we can use it, it must be done according to a protective principle. In Lawa (rara) it is the highlighting of Things. It couldn't be otherwise. If we go deeper we will see that the thought of Lawa (rara) implies the protection of Things, which are Life or matter of Life, since it is about the Celebration of the Indestructibility of Life. It can only be done through Things. This thought of Things carries a way of acting towards them. The concept of Life can be understood as a ball rotating on itself. It starts with the use we make of Things. It is about our behavior towards things which are their continuity.

To follow the Lawa (rara) is to move in the heart of Divinity, the All of The, that is, the universe and the relationship of Things with themselves.

The Lawa (rara) is the first institution of the AYITI Empire. It carries an important part of the knowledge of our People. Its teaching at school, at all levels, is a law. All radio and television stations, without exception, are, unconditionally, obliged to offer the population daily lawa (rara) musical programming for the edification of all, particularly young people.

We, the People of Dessalines, are taking stock, in the light of what we have just seen, of what is missing and what is not missing to better know how to financially support our bqn, in all corners of Our Country, Our Ancestral Land, Our Empire of AYITI, Ancestral Empire, Eternal Toya-Dessalines Empire.

 To remember

Let us keep in mind the fact that all our bqn are there to move forward the things planted by our Ancestors. The sound, which is always at the forefront where there is a party, is phenomenal again this year. One thing we noticed is that the musicians are, in many cases, at the head of the bqn and that they capture, almost undividedly, everyone's attention. Sound is undoubtedly the basis, we even talk about it in terms of jazz, “jazz”, we say. He is considered the pillar of Lawa (rara). Party people don't often sing, despite all the energy they put into it. Everyone focuses on music and, therefore, dance, if the word can be said in the context of Lawa (rara). There is nothing wrong with that. However, this behavior is not unanimous. We found a bqn that does not fit into this monolithic group, NAN ZORE ZAKAPWÈL. They sing with the same energy as all the others but much louder and longer. ZAKAPWÈL is, without a doubt, a vocal powerhouse. Let us conclude that Lawa (rara) has a bright future ahead of it.   

ZAKAPWÈL RARA NOLIMIT MESAK PLEZI NAN PEYI DAYITI POU 2026 LA GAD PLEZI

kash news509

https://youtu.be/aO1vl9eqffk?si=GXtEHLsnGD5CDvwa

Let us walk with firmness and confidence!

It is urgent to join, fill the Lawa (rara) with its own elements, therefore perform, because we have, as the People of the Eternal Empire of AYITI, Ancestral Empire, Toya-Dessalines Empire, responsibility for the planet. We are here to help reintegrate the Right Line of Life, Our God, Good-God, and, therefore, Ourselves. In other words, the Lawa (rara) aims to participate in the structuring of Life on earth. Our Ancestors, who experienced the situation prevailing on earth, have already laid the foundations for the exit, of which Lawa (rara) is one. The Lawa (rara) is in part the Essence of the AYITIAN Ancestral People. Discovering oneself through Lawa (rara) inevitably leads, through the sufficient obligation that this entails, to the commitment to fulfill this noble task. It starts with the membership. The task is complex. First of all, the leaders of bqn lawa (rara) have the membership on their shoulders, then, the assistance of the population is essential to them. It is through the only door that work can be done. By rising to its height and grandeur, the Lawa (rara) carries with it the Ancestral Population, of which it is an exclusive part. It’s a matter of Ubuntu and Messianic. Nowhere is it written that the Lawa (rara) had to go through a great tribulation to finally reach the most point. The adversary, who is the natural enemy, as His Majesty Jacques 1st called him, is unidirectional and he used his atha, the bunda-qmr, to nestle in order to carry out, beyond all suspicion, his lethal strikes, despite the repeated warnings of the Invincible General Jean Jacques Dessalines, Eternally Victorious: “There are French people on our island, and you believe yourself to be free and independent of this republic... if they find an asylum among us, they will still be the plotters of our troubles and our divisions... Let us swear to the whole universe, to posterity, to ourselves, to renounce France forever, and to die rather than live under its domination, to fight to the last breath for the independence of our country... Let us follow in other footsteps,” said Jean Jacques Dessalines, on January 1st! 1804. In a word, Dessalines enjoins us to live for ourselves. What His Majesty the Eternal Emperor Jean Jacques Dessalines feared has happened. They returned under false nationality and hidden by the bunda-qmr. They concocted the physical assassination of the Emperor of AYITI. Immediately after they began to impact our way of being in the world, the Lawa (rara), such a great concept, is one of the first impacted. Dismemberment is one of their moves. There is certainly resistance but they manage to score points. Today there is a rise in power on our part. Everything is within our reach. There is nothing we cannot do. You just have to want it because our Ancestors accompany us unfailingly. They were just waiting for that.

ZAKAPWÈL RARA 2026 ?? PÈP LA AN FOUL… OU PAP KWÈ SA K AP PASE!

Doublée automatiquement

kash news509

https://youtu.be/gfYiLjVlBqM?si=a-_gGehmkX9Inu2e

The Decree is in force from today, Monday June 1, 2026.

For the Imperial House of Dessalines, the Empire of Ayti, Eternal Empire of Tóya-Dessalines, Empire of Gwqmuniality, which the enemy and his gang, present on Our Imperial Territory, wrongly believed to have swallowed up forever:

HRH His Majesty Prince Weber Tiécoura Dessalines D'Orléans Charles Jean Baptiste, 7th of the Generation of the Imperial Couple, Marie Claire Heureuse Félicité Bonheur and Jean-Jacques Dessalines, 3rd of the line of Emperors of AYITI, and Guarantor of the w¼nity of the lakort, the order of the Nous, and the Empire Tóya-Dessalines, Specialist and professor of the science of politics, theorist of politics, particularly of whiteness, and theorist of munality, i.e. VudUn Existentialism.

https://www.linkedin.com/pulse/performances-lawa-rara-2026-first-institution-world-rg6le